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Glatt the sequel of Platz Groteske is a typeface with the personality and the aesthetics of the neo-grotesque, however a slight touch of freshness and organic stand out this typeface; perfectly suited for any kind of work related to visual communication.

Glatts alternatives version includes diverse characters, Open Type functions, as well a, small caps, both lining and old style figures, and a fun shadowed version for headlines and display compositions.

Special acknowledgments to Ale Navarro, Raúl Meza, Rodrigo RodrigoTypo Araya, Valentina Pino and the whole W Foundry crew for the gestation of this project.

Obvia, a geohumanist type for all media. Obvia appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes - to be published soon - expanding its usability.

The idea behind Obvias design was to create a distancing from geometrically pure shapes, in this case, square shapes.

Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a geohumanist tone to the font.

More This first family of Obvia has 9 weights ranging from Thin to Black with their respective italics, delivering a strong typographic identity, from the paper to the pixel.

Useful links: TT Smalls PDF Type Specimen TT Smalls graphic presentation at Behance TT Smalls is a geometric sans serif created for use in video clips and for video production.

The main feature of the font family is the big difference between the uppercase and lowercase characters, in which we intentionally diminish the x-height.

At the same time, in order for signs to be readable and balanced, the font uses pronounced visual compensators and a large letter spacing.

More In the typeface there is a decorative set of alternative characters that covers the uppercase Latin alphabet, uppercase Cyrillic alphabet, and standard figures.

As the thickness of the strokes decreases, the number of layer lines in the design of the letter decreases.

For example, in the Black weight, the design in an alternative decorative set consists of 4 layers-lines, and in Thin already only of one line.

In order to simplify the access to this special set, we have programmed it for the SMCP (small caps) feature.

You just need to turn it on. Especially for video production we have prepared a set of particular catchwords that are included in each font, and whose height corresponds to the x-height of the lowercase sign.

For catchwords output, you need to type a special combination of characters. For example, to get the AKA catchword, you need to type one of the following combinations: a+k+a, or A+K+A, or a_k_a, or A_K_A.

Using any of these combinations will make the catchword appear. It is important to note that for successful use of catchwords, the feature calt (contextual alternates) must be permanently turned on.

The TT Smalls font family consists of 18 fonts: 9 weights and 9 italics.

The family has a set of stylistic alternatives, which make the typeface a bit more humanist when turned on.

TT Smalls features 16 ligatures, including several Cyrillic, old-style figures, a set of navigational arrows.

In addition, TT Smalls supports a large number of other useful OpenType features such as case, ordn, sups, sinf, dnom, numr, onum, tnum, pnum, calt, frac.

Arlon makes it easy to give any brand or advertising a cool & futuristic look. Thanks to its spurless letterforms and some uncommonly shaped letters, this typeface creates a strong visual impact even in small sizes.

Having generously rounded angles and terminals, Arlon also spreads warmth and friendliness.

To sum up, Arlon communicates an affinity for technology in a friendly way.

The family contains a really wide span from thin to black and has many Opentype features as well as many numerical variations to offer, making it a versatile font.

More From Afrikaans via romanized Chinese through to Zulu: Arlon comes with 631 glyphs per font, covering more than 200 languages.

Designed by Marc Lohner in 2018.

Big modern sans-serif family, for multiple use.