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La vie est une fleur dont l'amour est le miel Fleur is the french for flower and I've chosen this language for a good reason.

Over the past 5 years, I've had the opportunity to travel a lot to Paris and I've always tried to catch every moment, and detail of this delightful city through the eyes of the designer inside me.

More Paris is full of surprises mainly for us, artists. In fact, I believe the city is a museum itself. Every corner of any street has something inspiring. But, theres something I particularly love and I want to address here: The Palais Garnier.

Built between 1861 and 1875, this opera house is a dream made true for many of us, who love somptuosité.

Garnier, the architect of this magnificient building, said that the style he proposed was not Grecian nor Roman/baroque, he created something new and called it Napoleonic: Luxurious at its best.

Fleur is inspired in this palace which, in fact, has some similar letters inside.

Garnier put his name at the ceiling of the Rotonde des Abonnés: Letters are interlacing each other with nicely done art nouveau curves.

I thought I could take this idea and achieve something very delicate and imposing at the same time if the font consisted entirely of caps with the logic of a didone and a bit of art-nouveau.

This mix of elegance and flamboyance gave birth to Fleur which has a wide range of uses but was mainly intended for perfumes, fashion magazines, storefronts, book covers or logos.

Not only you'll find many decorative glyphs, but also a vast amount of unique ligatures will make you really adore this font.

Get Fleur and profite de la vie. TECHNICAL As suggested above, the font has many open-type coded alternates and a vast amount of unique ligatures.

Install the font in applications that support them, like Adobe Illustrator of Photoshop.

Bordonaro Script - Bordonaro Spurs partner - is an interpretation of the English Roundhand style with a strong influence by the logos of American basketball and baseball teams.

It is designed from simple shapes ideal to be used in long titles and fits perfectly into the branding design.

Bordonaro has a complete set of special and original characters: Stylistic Ligatures, Discretionary Ligatures, Swashes, Contextual Alternates, Titling, ss01,ss02, ss03 & apostrophes' ligatures that work as complements to enrich the text composition.

More Bordonaro Script and Bordonaro Spur are two typographic styles that were designed under the same characteristic features with the idea of combining them to obtain better results, for that reason, we recommend merging them in a creative way and you will realize everything you can design with them.

The banners designs are based on old brands of beer labels, coffee packaging, sports logos and in some cases we use Copperplate Gothic but only as a complementary font in order to harmonize the layout of the elements in each banner.

Inspired by the elegance of Herman Zapfs designs crossed with the readability of early 20th century Gothic fonts by Morris Fuller Benton, 19-PRA is a sans-serif with a visible stroke contrast and a humanist tone of voice.

The large x-height seen in fonts like News Gothic and Palatino increases legibility and condensed proportions give excellent readability making it perfect for newspaper and magazine publishing.

A typeface that can serve for both body text and titling the uppercase excels for headlines and renders beautiful brand names when tracked out.

More It sets well with both a serif or sans serif and has various open type features including: 12 standard ligatures, 3 discretionary ligatures, tabular figures, old stye figures as well as European accents.

Useful links: TT Phobos PDF Type Specimen TT Phobos graphic presentation at Behance TT Phobos is a pliable display serif with a soft and gentle character.

The features of the typeface are the moderate contrast between bold and thin strokes, pliable visual compensators, and the counter-clockwise bend of internal ovals.

In addition to 6 weights and 6 italic, TT Phobos also includes two original decorative fonts, inline and stencil.

More Despite its pliability and display character, TT Phobos is dynamic enough and is well suited for text arrays even in large text blocks.

The serifs of letters are completely asymmetrical and bring in dynamics when reading the text from left to right.

Thanks to the harmonious contrast of black and white forms and internal negative spaces of the letters, as well as its broad letter spacing, the typeface is well read in small sizes.

In this case, the character of the letters is completely preserved, partially thanks to the exaggerated elegant visual compensators.

The ornamental pattern used in TT Phobos Inline varies for capital and lowercase letters.

Capital letters implement a more complex double inline with a rhombic element in the middle, and in the lower case features a simplified form of the inline, made in a single movement.

Thanks to the original cutting, TT Phobos Stencil stands out for its expression, and the rounded cuts add even more visual style to the font.

TT Phobos consists of 14 faces: 6 weights (Light, Regular, DemiBold, Bold, ExtraBold, Black), 6 Italics, inline and stencil.

There are 17 ligatures in TT Phobos, including several Cyrillic ones. The typeface has stylistic alternates, which adds an italic effect to the upright fonts, and a little solemnity of the upright version to the italics.

In addition, we have not forgotten about the old-style figures and other useful OpenType features, such as ordn, sups, sinf, dnom, numr, onum, tnum, pnum, liga, dlig, salt (ss01), frac, case.

Sequel 100 Black was designed in 2018 by type designer Jeschke in Berlin. It is based on the sans-serif typefaces of the early 19th century. A characteristic feature of the Sequel 100 is the almost equal thickness of the vertical and horizontal strokes, the horizontally cut endings of the letters a, c, e, g, s, as well as a striking R.

More Unlike other sans-serif faces, the forms are absolutely clean and the x-height, in the normal thickness gradation a bit higher, in favor of legibility.

Sequel 100 Black supports up to 74 languages, from light to bold, with the corresponding italics.

Fontshowing Golden Spray Can Group by Florian Hauer, Berlin.

Harlan is from another place and time. But not just one specific place or time with its barely-there, knifes-edge serifs, and its smooth curves and flourishes, Harlan feels both vintage and modern; both feminine and masculine.

Inspired by the Baltimore bar WC Harlan, which in turn was inspired by the old candle-lit bars of France, the tucked-away osterias of Italy, and the antique books and journals one might find in a patrons hand.

Its a font you'll reach for when you're looking for something refined and elegant, but not too stylized or stuffy.